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John Martin
British
1789-1854
John Martin Gallery
His first exhibited subject picture, Sadak in Search of the Waters of Oblivion (now in the St. Louis Art Museum), was hung in the Ante-room of the Royal Academy in 1812, and sold for fifty guineas. It was followed by the Expulsion (1813), Paradise (1813), Clytie (1814), and Joshua Commanding the Sun to Stand Still upon Gibeon (1816). In 1821 appeared his Belshazzar's Feast, which excited much favorable and hostile comment, and was awarded a prize of £200 at the British Institution, where the Joshua had previously carried off a premium of £100. Then came the Destruction of Herculaneum (1822), the Creation (1824), the Eve of the Deluge (1841), and a series of other Biblical and imaginative subjects. The Plains of Heaven is thought to reflect his memories of the Allendale of his youth.
Martin's large paintings were inspired by "contemporary dioramas or panoramas, popular entertainments in which large painted cloths were displayed, and animated by the skilful use of artificial light. Martin has often been claimed as a forerunner of the epic cinema, and there is no doubt that the pioneer director D. W. Griffith was aware of his work." In turn, the diorama makers borrowed Martin's work, to the point of plagiarism. A 2000-square-foot version of Belshazzar's Feast was mounted at a facility called the British Diorama in 1833; Martin tried, but failed, to shut down the display with a court order. Another diorama of the same picture was staged in New York City in 1835. These dioramas were tremendous successes with their audiences, but wounded Martin's reputation in the serious art world. Related Paintings of John Martin :. | Manfred and the Witch of the Alps (mk47) | The Bard | The Plains of Heaven | Portrait of Catherine Parr | The Eve of the Deluge (mk25) | Related Artists: Francisco de herrera the elderSpanish Baroque Era Painter, ca.1590-1656
Spanish painter. His early works are in the Mannerist style. Under the influence of Francisco Zurbaren, he developed the naturalistic style seen in his four scenes from the life of St. Bonaventure (1627). About 1650 he moved to Madrid. His last documented work, a painting of St. Joseph (1648) influenced by Anthony Van Dyck, features elongated forms and elaborate draperies. He achieved considerable fame in Sevilla, where Diego Velezquez was briefly his pupil. His work marked the transition from Mannerism to the Baroque. His son, Francisco Herrera the Younger George WillisonPortrait painter who was born in Edinburgh in 1741 and returned there to spend his retirement.
He was a pupil of Mengs in Rome, before Mengs left for Madrid in 1761.
He painted "Boswell" in Rome in 1765 which is now in the Scottish National Portrait Gallery.
Willison was in London from 1767 and exhibited at the Scottish Academy between 1767 - 1770, and at the Royal Academy in 1771 and 1772.
He left London for an opulent retirement in Edinburgh around 1784.
Schlesinger Henri GuillaumeFrench portraits and genre painter , 1846-1884
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All the Alma Tadema's Oil Paintings
Supported by oil paintings and picture frames
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